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Film
Feature Articles
The Snow Woman: A Promise Must Never Be Broken… Never!
June 8, 2017
De-Centering the Viewer in The Wailing
June 4, 2017
Dracula: A Universal Monster
May 30, 2017
Ted Newsom: My Top 10 Hammer Films… and Why
May 27, 2017
Interviews
Don’t Fear the Creeper: An Interview with Gina Philips
May 18, 2017
Raw (2017): Horror in the Eyes of Women
May 9, 2017
Stranger With My Face International Film Festival: An Interview with Briony Kidd
May 5, 2017
A Rebel with a Cause: An Interview with Larry Cohen
May 4, 2017
Film Reviews
The Long Con: Inryu myeongmang bogoseo (Doomsday Book, 2012) and the Robotic Takeover
June 15, 2017
Taking a Bizarre Walk through Funky Forest: The First Contact (2005)
June 10, 2017
Review: Seoul Station is a Biting Critique of Western Society’s Treatment of its Most Vulnernable
June 9, 2017
The Blood is the Life: Blood of the Tribades (2016)
June 2, 2017
Home Video
Caltiki – il mostro immortale (Blu-ray Review)
April 10, 2017
Dracula vs Frankenstein (US Blu-Ray Review)
January 8, 2017
A Slipper for a Crossbow: Female Rebellion and Magic in Czechoslovakian Fairy Tale Three Wishes for Cinderella (Second Run DVD Review)
December 28, 2016
The Vampire Lovers (German Blu-Ray Review)
December 24, 2016
Television
American Gods: “Prayer for Mad Sweeney”
June 11, 2017
American Gods: “A Murder of Gods”
June 5, 2017
American Gods: “Lemon Scented You”
May 29, 2017
American Gods: “Git Gone”
May 22, 2017
Music
Feature Articles
Music to Get Your Spook On!: The Video Edition
October 31, 2016
Music to Get Your Spook On!: The Album Edition
October 27, 2016
Devil in the Woods: Love, Lust, Death & Life in 1980s American Post-Punk Part Two – The Seven Days in the West Edition
September 1, 2016
Devil in the Woods: Love, Lust, Death & Living in 1980s American Post-Punk, Part One
July 18, 2016
Interviews
The Misremembered Musical History of a Parallel World: An Interview With Jim Jupp (Ghost Box Records)
May 3, 2017
Mother’s Day in the Sun: In Conversation with Sami Saif Director of The Allins
April 20, 2017
No Plastic: Captain Sensible on The Damned at Forty
November 6, 2016
Musical Séance and the Sublime Art of Darkness: Pianist, Singer, Performance Artist Jill Tracy Interviewed
October 29, 2016
Reviews
Witchfynde Divine Victims: The Witchfynde Albums 1980-1983
May 26, 2017
The Overlook Film Festival: Boys in the Trees (2016) Comes Close to Being Special, but Falls a Little Short
May 22, 2017
Unit Black Flight: Evocations
May 17, 2017
Synthesising Your Wildest Dreams: Tim Blake’s Crystal Machine (1977) and Blake’s New Jerusalem (1978)
April 23, 2017
Art, Culture, Literature
Feature Articles
Such Stuff as Dreadful Dreams Are Made Of: Bram Stoker
May 14, 2017
Indoctrination, Ideology, and the Atrocities of Unit 731: Tun Fei Mou’s Men Behind The Sun (1988)
May 8, 2017
Technology, Transgression and the Female Cyborg in Alien: Resurrection (1997)
March 19, 2017
From Caravaggio to Gentileschi: The Ecstasy of Death in Italian Renaissance Art
October 9, 2016
Interviews
Preserving the Past: Valancourt Books’ James D. Jenkins Discusses Classic Gothic and Horror Literature
April 28, 2017
Exclusive Interview: James Ninness Discusses John Carpenter’s Tales of Science Fiction
April 22, 2017
Strange Things, Which I Dare Not Confess: Kim Newman on the Anno Dracula Comic
April 19, 2017
Interview: Author Jack Ketchum Discusses the Adaptation of his Short Story The Box for film XX
February 20, 2017
Book Reviews
Book Review: The Asylum of Dr. Caligari (2017)
June 12, 2017
Book Review: The Night Ocean (2017)
May 31, 2017
Book Review: A World of God and Monsters by Heather Paxton (2015)
May 19, 2017
A Retro Read: Vampyres of Hollywood (2008)
May 13, 2017
Comics
Predator:Hunters is Good Fun for Fans of the Franchise
June 13, 2017
Hellboy: Into the Silent Sea is the Modern Day Equivalent of a Campfire Tale
May 19, 2017
Witchfinder: City of the Living Dead Volume 4 is a Marvellous Mash-Up of Victorian Gothic and Steampunk
May 16, 2017
The Barbarian Returns: Conan The Slayer: Blood In His Wake Volume One
April 29, 2017
Podcasts
Daughters of Darkness
The Rear Window
Captive Eye
The Sound Of Fear
A Real Horror Show
News
Headlines
Diabolique Readership Survey 2017
June 14, 2017
Haitian Horrors: John Cussans discusses his upcoming Miskatonic Institute talk (exclusive trailer)
May 12, 2017
Horror Returns to London’s Peacock Theatre This May
May 11, 2017
Diabolique Magazine No. 26 Digital Edition Now Available
May 5, 2017
Film Festivals
Final Girls Berlin Film Festival 2017: Body Horror Short Programme
June 15, 2017
Horror Con UK 2017
May 30, 2017
BUFF: Get the Balance Right Animated Shorts Block (2017)
April 15, 2017
BUFF: Trigger Warning Midnight Shorts Block (2017)
April 14, 2017
Diabolique’s Top 10
Ted Newsom: My Top 10 Hammer Films… and Why
May 27, 2017
A Year in the Life: Diabolique Magazine’s Top Titles from 2016
January 1, 2017
Diabolique’s Top 10 of 2015
December 29, 2015
Happy Birthday to Robert Englund
June 8, 2015
Columns
A Ken Russell Retrospective
A Ken Russell Retrospective: Visual Art in the Monitor Episodes
December 23, 2016
A Ken Russell Retrospective: Always on Sunday
October 26, 2016
A Ken Russell Retrospective: The Musical Monitor Episodes
September 13, 2016
An Andrzej Zuławski Retrospective
An Andrzej Zuławski Retrospective: La fidélité
July 1, 2016
An Andrzej Zuławski Retrospective: Szamanka
June 25, 2016
An Andrzej Zuławski Retrospective: La note bleue
June 17, 2016
Sonic Attack
No Parole from Rock & Roll: Graham Bonnet is the Man
February 9, 2017
SinSynth: Dreamy Music for a Would-Be Neon Giallo
December 16, 2016
Music to Get Your Spook On!: The Video Edition
October 31, 2016
The Bloody Chamber
The Bloody Chamber: Angela and the Wolf: On Angela Carter’s The Company of Wolves
September 22, 2016
Pleading the Filth
Pleading the Filth: Disgusteen (1990)
October 24, 2016
Pleading the Filth: Island of Death (1976)
August 13, 2016
The Devil Made Us Watch It
The Devil Made Us Watch It: Cannibal Holocaust (1980)
July 29, 2016
Opinion
Magazine
Diabolique in Print
Diabolique Magazine No. 26 (Apr/Jul 2017)
–
Diabolique Magazine is back in print with an entire issue dedicated to celebrating Japanese and Korean cult cinema at its most sublime, otherworldly, erotic and visceral.
Back Issues (See All)
Issue No. 25
Issue No. 24
Issue No. 23
Digital Edition
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