The latest issue of Diabolique Magazine is now available for your digital devices and can be picked up on the App Store, Google Play, and Magzter. Prepare to engage your heart, your mind and your taste in terror without the inconvenience of waiting for copies to ship out. We are extremely proud of our latest issue and the feedback has been overwhelmingly positive. Want to find out what all the fuss is about? Then order your digital edition now and find out!
In our cover story we explore the darker elements of Japanese folklore; tracking the evolution of the ghost story from genre-defining classics Onibaba, Kwaidan, and Kuroneko, right through to the J-horror boom of the nineties in Ringu and Ju-On: The Grudge; before joining J-horror pioneer Hideo Nakata to discuss his career in genre film. This is followed by features on the blood-soaked tradition of Japanese theater in relation to the work of Akira Kurosawa and Jacobean revenge, the shocking horrors of Korean war portrayed in genre film and a tribute to the work of the late great David Bowie. Add to that some sizzling sensuality and lesbian love, as we unwrap Chan-wook Park’s provocative The Handmaiden, and investigate of Japan’s disturbing serial killer history. Continuing with our exploration of the Land of the Rising Sun’s violent past, we travel back to the ‘Lost Decade’ and remember the troubling events which informed three of the most transgressive cinema featuring sadistic youth violence: Battle Royale (2000), Suicide Club (2002) and Lesson of the Evil (2012). We also celebrate the career of the legendary auteur, Seijun Suzuki. And last, but certainly not least, we pay homage to the mythical beast Godzilla. We promise you this is one of our boldest and most potent issues yet!
In this issue:
BLU MAGICK: LONE WOLF AND CUB
Kat Ellinger reviews the new Criterion release.
Joseph Dwyer investigates aspects of sadomasochism and Gothic feminism in Park Chan-wook’s The Handmaiden, and the film’s place in a tradition of erotic art cinema.
HOURS DREADFUL AND THINGS STRANGE
Samm Deighan examines the influence of traditional Japanese theater on Akira Kurosawa’s eerie, horror-tinged 1957 Shakespeare adaptation, Throne of Blood.
NATURE, NUCLEAR TERROR AND NATIONAL GUILT
Kieran Fisher examines the complex mythology behind Japan’s biggest monster: Godzilla.
CURSE, DEATH AND SPIRITS
Kat Ellinger tracks the evolution of the Japanese Ghost Story in cinema, from classic to contemporary and unravels its folklore origins.
FROM KWAIDAN TO KAIDAN
Kat Ellinger talks to J-horror pioneer Hideo Nakata about the evolution of Japanese horror cinema.
78 DAYS ON THE RUN
Samm Deighan explores Shohei Imamura’s grim serial killer epic, Vengeance is Mine (1979), in comparison to real-life killers operating throughout Japan’s history.
THE MASCULINIZED ZONE: HORRORS OF KOREAN WAR CINEMA
Rebecca Booth explores the representation of masculinity in Korean war cinema.
TOKYO SHIFTER: FAREWELL TO SEIJUN SUZUKI
Joseph Perry pays homage to the late, great Seijun Suzuki.
STRANGE, PERSISTENT BEGGARS
Samm Deighan remembers David Bowie’s onscreen legacy through the lens of Nagisa Oshima’s mournful Merry Christmas, Mr. Lawrence (1983).
PUNISHING THE YOUNG
Kieran Fisher examines how various social, political and cultural issues prominent in Japan during the 1990s went on to inform three controversial genre films featuring youth violence: Battle Royale (2000), Suicide Club (2002) and Lesson of the Evil (2012).