George A. Romero’s NIGHT OF THE LIVING DEAD Resurrected in the film’s first-ever major restoration – opening Friday, Oct 13, 2017 at New York’s Film Forum, followed by a national rollout. Producer Russ Streiner, actor/sound engineer Gary Streiner and screenwriter John Russo in-person opening weekend! ...
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Although Happy Hunting (USA, 2017) may be another entry in the subgenre of films that use Richard Connell’s 1924 short story “The Most Dangerous Game” as their springboard, this debut from the writing/directing team of Joe Dietsch and Louie Gibson ...
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United States/Italian coproduction Voice from the Stone (2017) is absolutely dazzling to the eye, with exterior scenes drenched in vibrant fall colors, and interior set designs of a weathered mansion meticulously adorned. This Gothic, psychological, supernatural tale is not as strong ...
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We are giving away 15 copies of the new KING OF HORROR COLLECTION on Blu-ray™! That’s 4 Stephen King films in one terrifying collection! To enter, just sign up for our Weekly Newsletter, or purchase any print issue of Diabolique ...
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A group of people are invited to a deserted island. They’ve never met the owner. One by one, each person turns up dead. Il Demone di Laplace (The Laplace’s Demon, Giordano Giulivi, 2017) isn’t a remake of Agatha Christie’s And ...
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Ever since the self-aware stroke of genius that was Wes Craven’s Scream (1996)—a deconstruction of slasher movies that doubled as a great example of a slasher movie—there haven’t been a ton of films that have come as close to turning ...
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April (Amanda Fuller) and Eric (Ethan Embry) are a hipster couple who run a vintage clothing store in Austin, Texas. Eric seems to be having an affair with one of the store’s other employees, a speculation that moves April ...
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The Fantasia International Film Festival, based in Montreal, Quebec, Canada, has a history of not only varied films, but Asian cinema in particular, hosting films from Hong Kong and Japan in its early days. It has since spread its wings ...
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“Nudists probably don’t go jogging.” From these first words spoken in the voiceover that dominates much of Yuya Ishii’s The Tokyo Night Sky is Always the Densest Shade of Blue, we are offered unexpected, often poetic insights. Other more morbid, ...
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To me a short film programme often offers the audiovisual equivalent of a printed horror story anthology. What you get for your ticket is a step into the unknown with only the programme title to give you a hint of ...
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