Urban Blight Through the Eyes of a Killer: Maniac (1980)
When it comes to the toxicity that’s commonly associated with fandom, we can all be guilty...
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Category: Film Reviews
Zombies, The Beginning: Being the Last Will and Testament of Bruno Mattei
Some great directors die in the midst of their career and leave behind an inadvertent final film...
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Un-death Row: Brian Yuzna’s BEYOND RE-ANIMATOR
The team of Stuart Gordon and Brian Yuzna have enjoyed considerable acclaim from fans for their...
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A Tale of Tentacles and Fishmen: Stuart Gordon’s DAGON
I have stared into the abyss of unspeakable madness, and in it, I saw myself. I was taller, had...
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Flipping through the Book of the Damned: NECRONOMICON
HP Lovecraft, much-discussed pulp horror author and Woodrow Wilson lookalike, was born (or...
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The Possession and the Outsider Exorcist
In the subgenre of ‘exorcinema,’ The Possession (2012) probably sits well behind The...
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Douglas Heyes’ Kitten with a Whip (1964)
Fool a person once, shame on you. Fool a person multiple times, and maybe there’s some shared...
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Hollow (Formerly Known as Wyvern Hill) (2022): Revisiting the Grande Dame Guignol
Elderly women have long been central figures in the horror genre. Although the image of the...
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Liquid Sky: A Time Capsule of Decadence and New Wave Eccentricity
Liquid Sky captures the decadence, nihilism, and sexual anxieties of the early 1980s as well as it...
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War is No Place for Women: The Beguiled (1971)
The neuroses of women have functioned as fertile ground for storytelling. Such representations,...
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Nobody Puts Baby in the Corner: The Baby (1973)
The imprudence of Man is a common culprit in cinematic storytelling, leaving a mass of victims,...
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New Wave Noir: Wayne Wang’s Slam Dance (1987)
You know how some people say if they got to go back in time and do it all over again, they...
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Diabolique Print & Digital
Hell’s Belles
The Locust Files
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