Blu-Ray Review: Son of the White Mare (1981)
Visually, Marcell Jankovics’ Son of the White Mare (1981), is on another level. If you grew up...
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Category: Film Reviews
Reviews: Network’s High Definition Home Video Releases of The Dark Eyes of London, The Monster, and The Singing Ringing Tree
In October, Network will release, for the first time in high definition, DVD and Blu-ray versions...
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Provincial Disturbances: José Bénazéraf’s Frustration (1971) at 50
Much like 1968, 1971 proved to be a fairly watershed year in film. 1971 proved an especially...
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“Sacrilege” Serves Up Pop Folk Horror with Skin and Scares
Writer/director David Creed’s Sacrilege (U.K., 2020) treads familiar ground in its mash-up of folk...
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Arrow Video FrightFest Reviews: The Show, The Maid, King Knight, and Are We Monsters
Arrow Video FrightFest, the United Kingdom’s biggest horror and fantasy film festival, returned to the big screen with in-person attendance at London’s Cineworld Leicester Square from Thursday, August 26th through Monday, August 30th, 2021 and then presented an online edition from September 1st through 5th. Here is the second in a two-part series of reviews from the festival.
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Arrow Video FrightFest Reviews: Demonic, Knocking, The Exorcism of Carmen Farias, Slapface, and The Advent Calendar
Arrow Video FrightFest returns for another year of scares.
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Blue Underground’s 4K Disc of Two Evil Eyes (1990)
The Film Italian horror maestro Dario Argento is a lifelong devotee of Edgar Allan Poe. For his...
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“People construct stories to cope”: Unravelling the Trauma at the heart of Censor (2021)
In a retrospective interview discussing his role in the “video nasties” moral panic, Romano...
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Henry: Portrait of a Serial Killer (1986): Transgression and the Study of Sociopathy
“Open your eyes, Otis. Look at the world, it’s either you or them…you know what I mean.” The...
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Let’s Scare Jessica to Death (1971) And the Horror of Doubting Your Own Mind
As this year marks the 50th anniversary of this fantastic chiller, it seemed only appropriate to share some thoughts and love for this frequently overlooked classic.
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Kills Count Anywhere: Gregory Dark’s See No Evil (2006)
Like a great heel wrestling character, the career paths taken by Gregory Dark defy all the...
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SEX & DEATH ON THE CHEAP, PT. 2
When most film writers see the erotic thriller at all, it is nearly always through the lens of film noir, which greatly reduces the size and diversity of the subgenre.
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Diabolique Print & Digital
Daughters of Darkness
Hell’s Belles
Busted Guts: Cracking Open Comedy Cinema
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