Legacies of Sade: Gothic Kink in The Whip and The Body (1963)
*This article contains spoilers* There is something downright uncanny about Mario Bava’s...
Read Moreby Joseph E. Dwyer | Aug 29, 2018 | 3
*This article contains spoilers* There is something downright uncanny about Mario Bava’s...
Read Moreby Jerome Reuter | Jul 26, 2018 | 0
Since their formation in 1992, Carpathian Forest have established themselves as one of the more...
Read Moreby Joseph E. Dwyer | Jul 19, 2018 | 2
Vice and virtue are two concepts that are at the heart of many works by The Marquis de Sade. The...
Read Moreby Samm Deighan | Jul 8, 2018 | 1
For my money, director Jess Franco is the best and most prolific adapter of what I would call...
Read Moreby Samm Deighan | Jun 16, 2018 | 1
“There are many ways to be free. One of them is to transcend reality by imagination, as I try to...
Read Moreby Joseph E. Dwyer | May 30, 2018 | 1
Considering the life and work of West German filmmaker Rainer Werner Fassbinder, a barrage of...
Read Moreby Samm Deighan | May 18, 2018 | 0
Greatest director of all time (fight me) Rainer Werner Fassbinder covered a range of genres...
Read Moreby Joseph E. Dwyer | May 2, 2018 | 0
Pasolini’s Salò, or the 120 Days of Sodom (1975) is generally acknowledged as the cream of the...
Read Moreby Patricia MacCormack | Apr 20, 2018 | 0
Marat/Sade (Peter Brooks, 1967) is a play within a film, showing the inmates of an asylum...
Read Moreby Joseph E. Dwyer | Apr 7, 2018 | 0
“A writer of books with hope on every page, or the most vicious butcher of his age…” Marat/Sade,...
Read Moreby Samm Deighan | Mar 23, 2018 | 0
Essentially unknown aside more popular British studios that had an emphasis on genre films, like...
Read Moreby Joseph E. Dwyer | Mar 7, 2018 | 1
Violence and abjection are often–or should I say constantly–co-mingled with sexuality...
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