An Andrzej Zuławski Retrospective: La fidélité
Over the last four months, I’ve done what I think might be an internet first: a complete...
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Category: An Andrzej Zuławski Retrospective
An Andrzej Zuławski Retrospective: Szamanka
Zuławski spent the majority of the ‘80s making films in France that focused on the nature of...
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An Andrzej Zuławski Retrospective: La note bleue
Considering the output of the first half of director Andrzej Zuławski’s career, up through the...
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An Andrzej Żuławski Retrospective: Boris Godounov
In Andrzej Żuławski’s unusual career full of cinematic outliers and revolutionary masterpieces,...
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An Andrzej Żuławski Retrospective: My Nights Are More Beautiful Than Your Days
Effusively romantic and yet profoundly melancholic, Mes nuits sont plus belles que vos jours...
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An Andrzej Zuławski Retrospective: L’amour braque
Arguably among director Andrzej Zuławski’s most difficult films, L’amour braque (1985) resides...
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An Andrzej Zuławski Retrospective: La femme publique
While literary inspiration played a prominent role in the early career of Polish director Andrzej...
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An Andrzej Żuławski Retrospective: Possession
As I’ve been slowly making my way through Andrzej Żuławski’s catalogue for Diabolique, I think the...
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An Andrzej Żuławski Retrospective: L’important c’est d’aimer
After the reception of The Devil (1972) drove director Andrzej Zuławski out of Poland and into...
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An Andrzej Zuławski Retrospective: The Short Films
About a month ago, I began what was supposed to be a short retrospective on the recently restored...
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An Andrzej Żuławski Retrospective: Cosmos
For me, Andrzej Żuławski’s thirteenth and final feature film, Cosmos (2015), is a bittersweet...
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An Interview with Daniel Bird
This is the concluding entry in a four part series on director Andrzej Żuławski’s recently...
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Diabolique Print & Digital
Daughters of Darkness
Hell’s Belles
Busted Guts: Cracking Open Comedy Cinema
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