In the sixth episode of Daughters of Darkness, Kat and Samm continue on to the third part of their four-episode discussion of the work of director Andrzej Zuławski. They start out looking at Zuławski’s two loose Dostoyevsky adaptations, La femme publique (1984) and L’amour braque (1985). La femme publique, inspired by Dostoyevsky’s novel Demons, follows a young, inexperienced actress who is cast in a film adaptation of Demons and begins a relationship with the controlling director, while political violence and conspiracy erupts around them. L’amour braque, Zuławski’s first film with his long-time partner Sophie Marceau, is an adaptation of The Idiot and focuses on a strange young man named Léon, who gets caught up with a criminal gang and falls in love with the leader’s girlfriend.
Finally, they explore two of Zuławski’s most neglected films, Mes nuits sont plus belles que vos jours (1989) and Boris Godounov (1989). Mes nuits sont plus belles que vos jours again stars Sophie Marceau as a troubled young performer in a traveling psychic act. She begins a complicated relationship with a computer programmer suffering from a disease that affects the language center of his brain. Boris Godounov is a unique musical production in Zuławski’s catalogue and is a particularly frenzied adaptation of Mussorgsky’s classic Russian opera about the disastrous reign of a man believed to have murdered the child of the former tsar.