In the fifth episode of Daughters of Darkness, Kat and Samm continue on to the second part of their four-episode discussion of director Andrzej Zuławski. This time they discuss his work in the late ‘70s and early ‘80s, when he was forced to leave Poland over the controversy surrounding his film The Devil (1972), which was banned by the communist government. His first French film, L’important c’est d’aimer (1975), which really launched his career in Europe, featured an international cast including Romy Schneider, Fabio Testi, and Klaus Kinski. Set in the worlds of soft and hardcore pornography, as well as avant garde theatre, it explores the tragic love triangle between a struggling actress and a photographer.

This is followed by a lengthy discussion of On the Silver Globe (1988) — a surreal sci-fi epic based on a novel written by his own uncle — a film he returned to Poland to make after the success of L’important c’est d’aimer. But after a costly and intensive shoot that was nearly complete, the Polish government canceled this production and Zuławski wasn’t able to complete it for another decade. It remains unfinished, though it was recently restored. The episode concludes with a look at Zuławski’s most famous film, Possession (1981), an unsettling work about the dissolution of a marriage in divided Berlin starring Sam Neill and Isabelle Adjani.

Kat and Samm mention the Projection Booth’s episode on Possession, which includes an in-depth interview with co-writer Frederic Tuten, and Film Movement’s new Kickstarter campaign to restore the forgotten sci-fi/crime gem Kamikaze ’89, which stars Rainer Werner Fassbinder.

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