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The Beast of Hollow Mountain / Neanderthal Man (US Blu-Ray Review)

Specs

Specs

Details

Director: E.A. Dupont, Ismael Rodriguez
Cast: Robert Shayne, Joyce Terry, Richard Crane, Doris Merrick, Beverly Garland, Guy Madison, Patricia Medina, Carlos Rivas
Year: 1953, 1956
Length: 79, 78 min
Rating: NA
Region: A
Disks: 2 (1 BD, 1 DVD)
Label: Scream Factory
Release Date: January 28, 2014

Video

Video codec: MPEG-4 AVC
Resolution: 1080p
Aspect Ratio: 2.35:1, 1.35:1
Type: Color, B&W

Audio

Audio: English: DTS-HD Master Audio 2.0
Subtitles: NA

Extras
  • NA

91tGthEI4cL._SL1500_The increasingly impressive label Scream Factory has paired together two obscure films—forgotten ‘50s creature feature The Beast of Hollow Mountain (1956) and a prehistoric riff on Dr. Jekyll and Mr. Hyde, Neanderthal Man (1953) for a double feature Blu-ray release due out next week. The first film to rustle up both cowboys and dinosaurs, The Beast of Hollow Mountain may not be on par with the classic works of stop motion cinema, but it is an interesting early experiment nonetheless. Neanderthal Man will please fans of werewolf and other transformation themed horror films.

The Beast of Hollow Mountain

Jimmy Ryan (Guy Madison), a Texan cowboy living in Mexico, has a problem with missing cattle. The locals claim that a nearby hollow mountain and the swamp surrounding it is cursed and that’s where his cattle are disappearing to, but Ryan thinks his number one rival, Enrique (Eduardo Noriega) is to blame. Enrique is jealous because his beautiful fiancée, Sarita (Patricia Medina), has been flirting with Ryan. She thinks he is kind because he recently hired an old drunk, Sancho (Pascual García Peña), and his young son, Panchito (Mario Navarro). Soon, people begin to disappear near the mountain as well as cattle and when Pancho goes missing, Panchito runs off, desperate to find his father. It is up to Sarita and Ryan to rescue the boy, though they aren’t prepared for what awaits them.

The Beast of Hollow Mountain (1956) [Click to enlarge]

The Beast of Hollow Mountain (1956) [Click to enlarge]

Oddly, The Beast of Hollow Mountain is short on both beasts and mountains, showing more cows and desert than it does either of the titular elements. The monster in question is a lone Allosaurus whose appearance is not explained. The titular beast takes an hour to appear on screen in a film with an 80 minute running time, and we learn absolutely nothing about the hollow mountain. There are some hilarious close-ups of the dinosaur’s strange tongue and a nice “man in a rubber suit” moment when only the dinosaur’s legs are visible. While I love blends of Western and horror or sci-fi, as well as big monster movies and creature features, there simply isn’t enough here.

Willis O’Brien, special effects supervisor for King Kong, The Lost World, Mighty Joe Young, and others, is credited with dreaming up the story idea for The Beast of Hollow Mountain. Unfortunately, it just feels like a dry run for The Valley of Gwangi. For some reason O’Brien did not even do the special effects here, which might explain why they’re so shoddy. The stop motion scenes don’t look that great, particularly if you’ve ever seen a single Ray Harryhausen film.

The Beast of Hollow Mountain (1956) [Click to enlarge]

The Beast of Hollow Mountain (1956) [Click to enlarge]

While Edward Nassour, producer of some unsuccessful stop motion films, is listed as the director, it is likely that prolific co-director Ismael Rodríguez filmed the Spanish language version that was shot at the same time and helped to overcome the language barrier with the primarily Mexican cast. Star Guy Madison is likable, but he’s not enough to save the film as his character is little more than a stock heroic cowboy. Carlos Rivas (The King and I) is also likable as his friend and business partner, but doesn’t get nearly enough screen time or anything interesting to do.

Patricia Medina’s (Orson Welles’ Confidential Report) leading lady Sarita somewhat manages to overcome the weak scripting elements. She is amazingly independent for a ‘50s creature feature, despite the fact that she is the centerpiece of a dull love triangle. The overall story is unfortunately very tame with conservative to nonexistent amounts of sex and violence, some blatant racism, and stock characters in a cookie cutter plot. The last twenty minutes somewhat makes up for the doldrums of the second act. The conclusion is undeniably cheesy, but it’s also a lot of fun and will please fans of early creature features, dinosaur movies, and B Westerns.

The Beast of Hollow Mountain (1956) [Click to enlarge]

The Beast of Hollow Mountain (1956) [Click to enlarge]

The Neanderthal Man

Professor Cliff Groves (Robert Shayne) is determined to convince his colleagues that the extinct Neanderthal species was just as intelligent as Homo Sapiens, if not more so. They ignore him, mostly because of his unpleasant personality. Coincidentally, a saber-toothed tiger is located in the mountains near Groves’ home and scientists travel there to investigate, primarily expert Dr. Ross Harkness (Richard Crane). He is immediately taken with Groves’ lovely fianceé (Doris Merrick) and daughter (Joy Terry), and conceals evidence that Groves has been experimenting on animals and humans with a reverse evolutionary serum. After a number of bodies turn up and local women are attacked, how much longer can Harkness hide his discovery?

Writers and producers Aubrey Wisberg and Jack Pollexfen were involved with a number of other B-grade genre films, such as They Came to Blow Up America, The Man from Planet X, Captive Women, and Daughter of Dr. Jekyll. Thanks to their punchy script full of unintentionally funny dialogue, Neanderthal Man is easier to get through than The Beast from Hollow Mountain and is faster paced, with more scares and action. It also looks a lot cheaper, particularly where the indoor sets and matte paintings are concerned. And the less said about the saber-toothed tiger, the better.

The Neanderthal Man (1953) [Click to enlarge]

The Neanderthal Man (1953) [Click to enlarge]

There are also a slew of unlikable characters, namely Groves and Harkness, both of whom are selfish and egomaniacal. Star Robert Shayne (Adventures of Superman) is also subjected to some ridiculous transformation sequences when he turns into a prehistoric, subhuman beast with googley-eyes. The make up was done by Ed Wood regular Harry Thomas, so when things look silly, it shouldn’t be all that surprising. Though they are shown off camera, it’s amazing that the rape/attack scenes made it past the censors. Many of the women in the film are mercilessly abused, including Beverly Garland (The Alligator People), Doris Merrick (The Big Noise), and Tandra Quinn (Mesa of Lost Women). The alleged hero, Harkness (Richard Crane also from The Alligator People) isn’t particularly kind to them either and waits entirely too long to reveal Groves’ murderous activities.

Directed by E.A. Dupont, the film doesn’t boast much in the way of creativity or technical skill and some of the dialogue is painfully boring. And yet, Neanderthal Man has so much unintentional humor, ranging all the way from the attacks to the Foley effects, that it is definitely worth watching for fans of ‘50s B genre films, particularly the blends of sci-fi and horror that were so popular at the time.

The Neanderthal Man (1953) [Click to enlarge]

The Neanderthal Man (1953) [Click to enlarge]

Video

The Beast of Hollow Mountain is presented in 1080p High Def with its original 2.35:1 aspect ratio. This is supposedly the first creature feature to be filmed in Cinemascope and despite some sloppy effects, the print looks absolutely beautiful, though there are some minor scratches, (some long, recurring vertical ones too), and signs of debris. But, the strong, well-saturated colors and landscapes are so stunning that it’s easy to look past the minimal damage. Natural film grain is fully intact and spikes considerably during rear projection animation shots.

Shot in black and white, Neanderthal Man is presented in a 1.35:1 aspect ratio and also looks great, probably better than it ever has. Unfortunately there are some moments where there is so much clarity that it’s easy to spot a matte painting or still shot. There seems to be less damage and debris on this print than on The Beast of Hollow Mountain.

Audio

The audio, DTS-HD tracks for both of the films, sounds very clear and dialogue is never muddy.

The Neanderthal Man (1953) [Click to enlarge]

The Neanderthal Man (1953) [Click to enlarge]

Extras

This is The Beast of Hollow Mountain’s first official DVD or Blu-ray release, which is an achievement despite the fact that there are sadly no extras, unless you count the addition of a second film, The Neanderthal Man. Both films are also included in an extra DVD copy.

The Neanderthal Man (1953) [Click to enlarge]

The Neanderthal Man (1953) [Click to enlarge]

Bottom Line

Though The Beast of Hollow Mountain and Neanderthal Man may not be for everyone, die-hard creature feature fanatics will rejoice in the addition of two more obscure films being released on Blu-ray. Scream Factory should be celebrated for their continued efforts in rummaging through the MGM back catalog and releasing forgotten delights, which is how The Beast of Hollow Mountain and Neanderthal Man came to see the light of day on Blu-ray.

The increasingly impressive label Scream Factory has paired together two obscure films—forgotten ‘50s creature feature The Beast of Hollow Mountain (1956) and…

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About Samm Deighan

Samm Deighan is Associate Editor of Diabolique Magazine and co-host of the Daughters of Darkness podcast. She's the editor of Lost Girls: The Phantasmagorical Cinema of Jean Rollin from Spectacular Optical, and her book on Fritz Lang's M is forthcoming from Auteur Publishing.

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