The Ghastly Extremes of Agony: Roger Corman’s The Premature Burial
It wasn’t anything personal. Roger Corman just wanted a change. Or more money. Probably...
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Author: Keith Allison
One Loud, Long and Final Scream of Despair: AIP’s The Pit and the Pendulum
In 1960, American International Pictures, a low-budget film production house with some genuine...
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An Anomalous Species of Terror: AIP’s the House of Usher
In 1960, inspired by the bloody, colorful horror coming out of England’s Hammer Films,...
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Let the Revels Begin, Let the Fires Be Started
The American Mythology of Streets of Fire Walter Hill’s Streets of Fire (1984) is not a film...
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Brass Before Ass: Exploring Swinging London with Deadly Sweet
Deadly Sweet is experimental but still commercial. Bleak but still bubbly and colorful. Tinto Brass seems to think that Swinging London is still, you know, swinging.
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