Author: Joseph E. Dwyer

Booze, Murder, and Art History in The Golden Glove

Posted by Joseph E. Dwyer | Jan 26, 2021 | Feature Articles, Slider

By now it is difficult to imagine a new serial killer film that is original and unique, which...

“What ever happened to Gloria Hole?” An Interview with the Makers of Death Drop Gorgeous

Posted by Joseph E. Dwyer | Jun 25, 2020 | Interviews, Slider

Janet Fitness. Gloria Hole. Audrey Heartburn. Rosebud Cianci. Perhaps you don’t recognize these...

Of Tentacles and Teorema: Fatal Eroticism in The Untamed [2016]

Posted by Joseph E. Dwyer | Feb 9, 2020 | Feature Articles, Slider

Amat Escalante’s recent film The Untamed (La región salvaje, 2016) is a harrowing and beautiful...

Smooth Kriminal: The Strangler of Blackmoor Castle [1963]

Posted by Joseph E. Dwyer | Nov 26, 2019 | Feature Articles, Slider

The krimi is synonymous with German adaptations of classic British mystery novelist Edgar Wallace,...

Returning to Gialloville

Posted by Joseph E. Dwyer | Oct 15, 2019 | Feature Articles, Slider

When watching a giallo, the audience member wants one of two things–either to vicariously live through the upper class excess the characters experience on screen, or to see these rich fools die horrible deaths for the base, solipsistic, grotesque lifestyles they lead.

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Diabolique Print & Digital

Daughters of Darkness

Hell’s Belles

Busted Guts: Cracking Open Comedy Cinema

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Daughters of Darkness from Blue Underground

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