Henry: Portrait of a Serial Killer (1986): Transgression and the Study of Sociopathy
“Open your eyes, Otis. Look at the world, it’s either you or them…you know what I mean.” The...
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Author: Jerome Reuter
We’re Still In Danger: An Examination of Consumerism and Fascism in Pier Paolo Pasolini’s Salò o le 120 giornate di Sodoma (Salò, or the 120 Days of Sodom, 1975)
“Maybe I’m wrong, but I’ll keep saying we’re all in danger.” The words spoken by Pier Paolo...
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Once in Every Lifetime Comes a Show Like This: The Young Ones
Comedy is often viewed as entertainment. The suspension of disbelief from an audience allows us to...
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Suspiria (1977): A Nightmare Etched in Stained Glass
There exists no better opening for a horror film than the first few moments in Dario Argento’s...
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Slave to the Grind (1991): Skid Row and the Discontent of Social Classes
The term “hair metal” is one that I find misleading and wildly inaccurate. All too often it’s used...
Read MoreDiabolique Print & Digital
Daughters of Darkness
Hell’s Belles
Busted Guts: Cracking Open Comedy Cinema
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