Diabolique Magazine Indulge your passion for the macabre!
Marat/Sade (Peter Brooks, 1967) is a play within a film, showing the inmates of an asylum performing Sade’s (Patrick Magee) play The Persecution ...
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Music
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Nosferatu: The Silver Screen’s first Dracula Resurrected for the Digital Age
Friedrich Wilheim Murnau’s Nosferatu, eine Symphonie des Grauens (Nosferatu, a Symphony of Horror) is widely acknowledged not just as a classic of German Expressionist ...
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Bringing Audaciousness and Theatrical Flair Back to Rock: Whitney Petty and Molly Sides Discuss Their Band Thunderpussy
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A Beautiful Approach to Urban Angst: Ought “Room Inside the World” Album Review
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England’s Screaming: Brutalism, Idles Album Review
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Macc Flashback: Remembering The Macc Lads
Art, Culture, Literature
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Cult Classic ‘Liquid Sky’ (1982) Leaps From the Screen at Toronto’s Royal Cinema
Although I first became interested in Liquid Sky when I was a teen in the mid-1980s (thanks Night Flight!), I only got the chance ...
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Moral Kombat: A Brief History of Controversial Horror Games
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LA Despair: An Interview with Rémy Bennett on John Gilmore
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Blood on the Footlights: Horror and The Stage
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Climbing the Mountains of Madness: Bringing Lovecraft to the London Stage
Columns
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Legacies of Sade: Sade and Cinema – Materiality, Flesh, Text
Marat/Sade (Peter Brooks, 1967) is a play within a film, showing the inmates of an asylum performing Sade’s (Patrick Magee) play The Persecution ...
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Unleash the Savage Instincts: The Bat People (1974)
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Gods & Monsters: Teenage Kicks in Jaws 2 (1978)
Opinion
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19 Vigilante Movies That Are Way Better Than Eli Roth’s ‘Death Wish’ Remake
The unnecessary Death Wish remake is finally upon us and—as expected—the outcry is louder than a revolver going off in an elevator. On one ...
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“When You Get Caught Between the Knife and New York City”: New York Urban Horror Films
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Dallas Mayr
