Diabolique Magazine Indulge your passion for the macabre!
Although he would become known for his crime and cannibal films, when Make ’em Die Slowly Umberto Lenzi was just a sprout of a ...
Read More »Film
Music
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Picture Music Volume Three: Visage’s ‘Mind of a Toy’
A wooden head and a broken heartUsed, abused and torn apart I gave you my best and you gave me the rest It’s time ...
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Cloven Hooves & Hearts: The Top Six-Six-Six Heavy Metal Love Songs
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The Devil With the Devil Says I: Old Scratch in Early American Modern Music
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Ogre & Dallas Campbell – All Hallows’ II
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Goblin Keyboardist Maurizio Guarini Talks Suspiria and New Dawn of the Dead Commemorative Album
Art, Culture, Literature
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The Milkman Cometh: Simon Ball talks to DeadPlant Theatre’s Bounce, about the coming bovine apocalypse, bodily fluids, rubber ducks and heavy metal.
Photo credit: Mark Senior. It was early January when I received the invitation. Did I fancy taking a trip into a sub Arctic central ...
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Born To Be Posthumous: The Eccentric Life And Mysterious Genius Of Edward Gorey
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Soap Opera Step-Father Slasher: Corey Parker and Scream for Help (1984)
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Bad Romance: The Getaway and the Corruption of the Outlaw Couple
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‘The Manson Family on Film and Television’ (2018)
Columns
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Smooth Kriminal: An Introduction to the German Krimi Film
While there are a few subgenres adjacent to the horror film that have become beloved over the years—such as nunsploitation, poliziotteschi, or women in ...
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Who Can Touch Us When We Run?: The Pain & Beauty of Strange Advance
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An Englishman’s Guide to Italian Gothic: The Ghost (1963)
Opinion
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Don’t Be Simon: Cinema is for Everyone.
If you’ve ever watched the original series of The Office, the British one, you will probably remember Simon. Simon, the smug little computer nerd ...
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Don’t Click on This Link or ELSE!: Aka The Clickbait Rant
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The Diabolique 2018 Round Up
